FanøKalender.dk
Dato
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![Indtast nyt arrangement](https://www.kultunaut.dk/images/indtast.gif)
Sidst rettet
1/9 2008
Fängelset
Kålltorpsgata 2S-416 66 Göteborg
Tlf: 031-3655093
![Kultunaut](https://www.kultunaut.dk/images/nautlogo/nautlogo-989898-trans.png)
Viser 4 events
fra/efter 23. aug. 2024
![Emma ruth rundle - 23/8 - Fängelset](https://www.kultunaut.dk/perl/images/tickster2/W160H160_7c56cf147c41387c5fae7ea43b5b85b3bf118dc3.jpg)
23
AUG
Musik |
Rock/Pop
Emma ruth rundle - 23/8 - Fängelset
Fängelset, kl. 19-24.
Göthenburg. 23.08 FÄNGELSET. REVIVAL is pleased to announce a very special evening with Emma Ruth Rundle on piano performing tracks from her highly acclaimed album Engine Of Hell.
An incredibly multifaceted artist equally capable of dreamy abstraction as maximalist textural exploration, Emma Ruth Rundle is a force of nature and an exceptionally prolific and deeply emotive virtuoso without equal. For this very special show, she will take us on an intimate and stripped back journey showcasing her breathtaking vocals and exceptional lyricism along side her subtly enticing, deeply resonant piano playing. Heavy, haunting and at times utterly heartbreaking, the aching beauty of Emma Ruth Rundle will tear us apart and put us back together again on Friday, August 23rd at Fängelset. Join us for the catharsis.
Revival & Fängelset presents:
EMMA RUTH RUNDLE - US
Emma Ruth Rundle has always been a multifaceted musician, equally capable of dreamy abstraction (as heard on her debut album Electric Guitar: One), maximalist textural explorations (see her work in Marriages, Red Sparowes, Nocturnes or collaborations with Chelsea Wolfe and Thou), and the classic acoustic guitar singer-songwriter tradition (exemplified by Some Heavy Ocean). But on Engine of Hell, Rundle focuses on an instrument that she left behind in her early twenties when she began playing in bands: the piano. In combination with her voice, the piano playing on Engine of Hell creates a kind of intimacy, as if we're sitting beside Rundle on the bench, or perhaps even playing the songs ourselves.
Sonically she captures the imperfection and the vulnerability of humanity. "Here are some very personal songs; here are my memories; here is me teetering on the very edge of sanity dipping my toe into the outer reaches of space and I'm taking you with me and it's very f****d up and imperfect."
The instrument of Rundle's childhood is the perfect vehicle for an album that is essentially a collection of memories from her youth, though one doesn't need to dig too deep to realise Engine of Hell isn't some saccharin nostalgia trip. As the album progresses, it becomes apparent that Engine of Hell is more memoir than pure poetry. On the soft-spoken acoustic guitar ballad, "Blooms of Oblivion" we're given more explicit details. "Down at the methadone clinic we waited / hoping to take home your cure / The curdling cowards, the crackle of china / you say that it's making you pure." It gets even heavier on the album's third song "Body," where Rundle recounts a childhood memory of seeing a deceased family member wheeled away by strangers.
The memories and their accompanying songs aren't always steeped in grief. "Dancing Man" is one of the most delicate and somber songs on the album, with its sleepy cadence and hushed delivery giving it a distinctly dream-like quality. Yet the song serves a positive purpose: it chronicles a cherished memory of Rundle dancing with a friend-an experience she returns to in dark moments when she needs the reminder of "perfect days with this perfect love that exists in a space which can never be taken away from me, can never be ruined, can never be changed."
"For me this album is the end of an era to the end of a decade of making records. Things DO have to change and have changed for me since I finished recording it." In essence, Engine of Hell signifies a major turning point for Rundle as both an artist and as a person. The catharsis of this type of songwriting has effectively served its purpose, and to continue ruminating on the past going forward is less of a healing process and more like picking at a scab and refusing to let it heal. This may help explain why Rundle is less than enthusiastic about divulging the details about her muses, but it doesn't alter the fact that these songs served a purpose in their creation, and that they may continue to bring comfort to others
Revival & Fängelset presents:
EMMA RUTH RUNDLE - US
Emma Ruth Rundle has always been a multifaceted musician, equally capable of dreamy abstraction (as heard on her debut album Electric Guitar: One), maximalist textural explorations (see her work in Marriages, Red Sparowes, Nocturnes or collaborations with Chelsea Wolfe and Thou), and the classic acoustic guitar singer-songwriter tradition (exemplified by Some Heavy Ocean). But on Engine of Hell, Rundle focuses on an instrument that she left behind in her early twenties when she began playing in bands: the piano. In combination with her voice, the piano playing on Engine of Hell creates a kind of intimacy, as if we're sitting beside Rundle on the bench, or perhaps even playing the songs ourselves.
Sonically she captures the imperfection and the vulnerability of humanity. "Here are some very personal songs; here are my memories; here is me teetering on the very edge of sanity dipping my toe into the outer reaches of space and I'm taking you with me and it's very f****d up and imperfect."
The instrument of Rundle's childhood is the perfect vehicle for an album that is essentially a collection of memories from her youth, though one doesn't need to dig too deep to realise Engine of Hell isn't some saccharin nostalgia trip. As the album progresses, it becomes apparent that Engine of Hell is more memoir than pure poetry. On the soft-spoken acoustic guitar ballad, "Blooms of Oblivion" we're given more explicit details. "Down at the methadone clinic we waited / hoping to take home your cure / The curdling cowards, the crackle of china / you say that it's making you pure." It gets even heavier on the album's third song "Body," where Rundle recounts a childhood memory of seeing a deceased family member wheeled away by strangers.
The memories and their accompanying songs aren't always steeped in grief. "Dancing Man" is one of the most delicate and somber songs on the album, with its sleepy cadence and hushed delivery giving it a distinctly dream-like quality. Yet the song serves a positive purpose: it chronicles a cherished memory of Rundle dancing with a friend-an experience she returns to in dark moments when she needs the reminder of "perfect days with this perfect love that exists in a space which can never be taken away from me, can never be ruined, can never be changed."
"For me this album is the end of an era to the end of a decade of making records. Things DO have to change and have changed for me since I finished recording it." In essence, Engine of Hell signifies a major turning point for Rundle as both an artist and as a person. The catharsis of this type of songwriting has effectively served its purpose, and to continue ruminating on the past going forward is less of a healing process and more like picking at a scab and refusing to let it heal. This may help explain why Rundle is less than enthusiastic about divulging the details about her muses, but it doesn't alter the fact that these songs served a purpose in their creation, and that they may continue to bring comfort to others
![Deeper + in cash + zimmer grandioso](https://www.kultunaut.dk/perl/images/tickster2/W160H160_7b9555b6c858016f0028701b3b6a41103e5bb250.jpg)
11
SEP
Musik |
Rock/Pop
Deeper + in cash + zimmer grandioso
Fängelset, kl. 19-24.
Göteborg! On wednesday the 11th sep we invite you to see Chicago's finest indie quartet DEEPER, a night promising swirly guitars, hypnotic bass-lines, dreamy vocals, lush pop grooves all drenched in chorus pedals and accompanied by quirky chords.
Take a listen to ''This Heat'' to catch the feeling right. Opening up the night we have ZIMMER GRANDIOSO taking on Fängelsets stage for the first time, a superroup consisting of Gothenburgs loveliest indie-musicians, capsulating the sound of a summer breeze.
Revival & Fängelset presents:
DEEPER - US
You can't get Deeper if you're standing still. That's intentional, says the Chicago quartet's Nic Gohl. "Does it feel good when you're listening to this song? Does your body want to move with it?" These are the questions he asked himself as he and bandmates Shiraz Bhatti, Drew McBride, and Kevin Fairbairn were writing and recording Careful!, their third record and Sub Pop debut. "I wanted these to be interesting songs, but in a way where a two-year-old would vibe out to it," Gohl adds. "It's pop music, basically."
That "basically" qualifier is working pretty hard, as fans of 2020's Auto-Pain might suppose. Auto-Pain was an album of thick brutalist architecture, full of straight lines and sharp angles, making hard shapes strong enough to carry a heavy thematic burden. On Careful!, they're reshaping the facades and splashing color, not reimagining their sound so much as testing its limits. There are synth experiments, there are moments of nauseatingly powerful darkwave and coldbeat. There are massive rock'n'roll songs that you can imagine 10,000 people singing along to in some beautiful outdoor setting. There is a remarkably moving love song. Is there pop? There's some pop, yes, a wiry bit of Cars-esque neon called "Everynight." Look around the right corners, and you might see some of the old buildings peeking through, too, but in this context-on a song like "Sub," say, a song that began life as a slow and dark prog jam but is now an elegantly cresting wave of post-punk-they feel more sophisticated, lit up in the cold, bright glow of Television.
ZIMMER GRANDIOSO - SWE
With 90's indie and alternative rock as a stable foundation, Gothenburg-based ZimmerGrandioso manages tofloat between, andfind inspiration in, several different genres, eras andexpressions. Pop, rock and slacker, not to mention real rock n roll sax and carefully selected (butsignificant) touches of Jethro Tullflutes. That listeners hear influences such as The MagneticFields, Daniel Romano, Twin Peaks and others is obvious, but beneath the surface there's moreto be discovered.The songs are simple but well thought out. They're melodious but edgy at the same time. It'sindie and alternative, and Zimmer Grandioso works just as well at the pre-party and in the clubsas they do in the wee hours. Thefirst EPZimmer Style IIwas released in September 2023 and isintelligently followed up withZimmer Style IVin May 2024, with the singlefamous chinese shortstoriestaking the lead.Not all bands are formed around music. It may be a bit diffuse, but starting a band based on thefeeling "I wish this day would never end" is done far too rarely. It's not for nothing that ZimmerGrandioso was formed during a rare, really good Swedish summer day.
Plats: Kålltorpsgatan 2, 402 61, Göteborg
Ålder: 13+ Drog & Alkoholfritt
Fängelset är nu en kontantfri venue.
Betalning på plats sker endast via kort eller swish.
Biljetter säljs på tickster.
https://www.tickster.com/sv/events/search?q=revivalbooking
vid vidare frågor: contact@revivalbooking.com
Revival & Fängelset presents:
DEEPER - US
You can't get Deeper if you're standing still. That's intentional, says the Chicago quartet's Nic Gohl. "Does it feel good when you're listening to this song? Does your body want to move with it?" These are the questions he asked himself as he and bandmates Shiraz Bhatti, Drew McBride, and Kevin Fairbairn were writing and recording Careful!, their third record and Sub Pop debut. "I wanted these to be interesting songs, but in a way where a two-year-old would vibe out to it," Gohl adds. "It's pop music, basically."
That "basically" qualifier is working pretty hard, as fans of 2020's Auto-Pain might suppose. Auto-Pain was an album of thick brutalist architecture, full of straight lines and sharp angles, making hard shapes strong enough to carry a heavy thematic burden. On Careful!, they're reshaping the facades and splashing color, not reimagining their sound so much as testing its limits. There are synth experiments, there are moments of nauseatingly powerful darkwave and coldbeat. There are massive rock'n'roll songs that you can imagine 10,000 people singing along to in some beautiful outdoor setting. There is a remarkably moving love song. Is there pop? There's some pop, yes, a wiry bit of Cars-esque neon called "Everynight." Look around the right corners, and you might see some of the old buildings peeking through, too, but in this context-on a song like "Sub," say, a song that began life as a slow and dark prog jam but is now an elegantly cresting wave of post-punk-they feel more sophisticated, lit up in the cold, bright glow of Television.
ZIMMER GRANDIOSO - SWE
With 90's indie and alternative rock as a stable foundation, Gothenburg-based ZimmerGrandioso manages tofloat between, andfind inspiration in, several different genres, eras andexpressions. Pop, rock and slacker, not to mention real rock n roll sax and carefully selected (butsignificant) touches of Jethro Tullflutes. That listeners hear influences such as The MagneticFields, Daniel Romano, Twin Peaks and others is obvious, but beneath the surface there's moreto be discovered.The songs are simple but well thought out. They're melodious but edgy at the same time. It'sindie and alternative, and Zimmer Grandioso works just as well at the pre-party and in the clubsas they do in the wee hours. Thefirst EPZimmer Style IIwas released in September 2023 and isintelligently followed up withZimmer Style IVin May 2024, with the singlefamous chinese shortstoriestaking the lead.Not all bands are formed around music. It may be a bit diffuse, but starting a band based on thefeeling "I wish this day would never end" is done far too rarely. It's not for nothing that ZimmerGrandioso was formed during a rare, really good Swedish summer day.
Plats: Kålltorpsgatan 2, 402 61, Göteborg
Ålder: 13+ Drog & Alkoholfritt
Fängelset är nu en kontantfri venue.
Betalning på plats sker endast via kort eller swish.
Biljetter säljs på tickster.
https://www.tickster.com/sv/events/search?q=revivalbooking
vid vidare frågor: contact@revivalbooking.com
![A place to bury strangers - Fängelset](https://www.kultunaut.dk/perl/images/tickster2/W160H160_1e48c58cadaddb2fe62bb913cffb2fa25b573545.jpg)
6
OKT
Musik |
Rock/Pop
A place to bury strangers - Fängelset
Fängelset, kl. 19-24.
Götheburg! Revival has the pleasure to bring you the NY noiserock act A PLACE TO BURY STRANGERS on sunday the 6th oct. This will be a sunday to remember, so bring no earbuds and prepare for maxed out guitar pedalboards!
With them we have the newly established STELLA ROSE who'll be setting the mood for the new american rock and roll sound.
Revival & Fängelset presents:
A PLACE TO BURY STRANGERS - US
A Place To Bury Strangers have been delighting and astonishing audiences for close to two decades, combining post-punk, noise-rock, shoegaze, psychedelia, and avant-garde music in startling and unexpected ways. See Through You is an explosive journey which explores the listener's limits of mind-bending madness while simultaneously offering the catchiest batch of songs in the band's discography. Outpacing even their own firmly blazed path of audio annihilation, See Through You repeatedly delivers the massive walls of chaos and noise that every A Place To Bury Strangers fan craves in spades. It's a nod of the cap to the art school ethos of the band's origins, while forging a new and clear direction forward.
STELLA ROSE - US
Stella Rose, who is the daughter of Depeche Mode's Dave Gahan, has announced her debut album, Eyes of Glass, which will be out May 19 via Yves Rothman's KRO Records. The album was co-written and produced by Rothman, and recorded over a two-week period in their studio. "At the end of the day, I'm a writer," Stella says. "It's the only way for me to process my feelings, and when I write I might not understand the meaning or gravity of my words but at some point later they'll explain where I was and how I've grown. That's how I make music: I collect things over time."
Tid: 19.00
Plats: Kålltorpsgatan 2, 402 61, Göteborg
All Ages, 13+ & Alkoholfritt
Fängelset är nu en kontantfri venue.
Betalning på plats sker endast via kort eller swish.
https://www.tickster.com/sv/events/search?q=revivalbooking
vid vidare frågor: contact@revivalbooking.com
Revival & Fängelset presents:
A PLACE TO BURY STRANGERS - US
A Place To Bury Strangers have been delighting and astonishing audiences for close to two decades, combining post-punk, noise-rock, shoegaze, psychedelia, and avant-garde music in startling and unexpected ways. See Through You is an explosive journey which explores the listener's limits of mind-bending madness while simultaneously offering the catchiest batch of songs in the band's discography. Outpacing even their own firmly blazed path of audio annihilation, See Through You repeatedly delivers the massive walls of chaos and noise that every A Place To Bury Strangers fan craves in spades. It's a nod of the cap to the art school ethos of the band's origins, while forging a new and clear direction forward.
STELLA ROSE - US
Stella Rose, who is the daughter of Depeche Mode's Dave Gahan, has announced her debut album, Eyes of Glass, which will be out May 19 via Yves Rothman's KRO Records. The album was co-written and produced by Rothman, and recorded over a two-week period in their studio. "At the end of the day, I'm a writer," Stella says. "It's the only way for me to process my feelings, and when I write I might not understand the meaning or gravity of my words but at some point later they'll explain where I was and how I've grown. That's how I make music: I collect things over time."
Tid: 19.00
Plats: Kålltorpsgatan 2, 402 61, Göteborg
All Ages, 13+ & Alkoholfritt
Fängelset är nu en kontantfri venue.
Betalning på plats sker endast via kort eller swish.
https://www.tickster.com/sv/events/search?q=revivalbooking
vid vidare frågor: contact@revivalbooking.com
![Kalandra + lili refrain - 15/10 - fängelset](https://www.kultunaut.dk/perl/images/tickster2/W160H160_100fd8dda5adf985ec7fe811a4a064a0e7f29c2b.jpg)
15
OKT
Musik |
Rock/Pop
Kalandra + lili refrain - 15/10 - fängelset
Fängelset, kl. 19-24.
Revival is pleased to invite you to an evening of ethereal mysticism, primal power and melancholically gritty folk with two intensely cinematic acts who have gained stratospheric acclaim through their uniquely beautiful energy, diversely profound vision.
And prolific expression.
Join us and let your souls be lost in the labyrinth of KALANDRA (NO) & LILI REFRAIN (IT) at Fängelset on Tuesday, 15/10, Kollektivet Livet on Wednesday 16/10.
Kalandra (NO)
Norwegian cinematic folk / pop band, Kalandra are firmly rooted in melancholic Nordic folk pop, interwoven with ethereal melodies and gritty guitars. Well on their way to becoming one of the most prolific bands in Northern European folk-pop landscape, Kalandra's deeply engaging music impresses with innate skill from this talented four-piece alongside profoundly poetic lyrics, a genre-bending diversity, and a unique, mystical sound that pleases alternative pop and folk fans as well as metal-heads alike. Kalandra's uniquely beautiful energy combined with intense artistic vision leaves fans breathlessly gripped by their ethereal, melodic atmosphere which is as much a modern masterpiece as something sacred and ancient.
Lili Refrain (IT)
Lili Refrain is a multi-instrumentalist, composer and performer based in Rome, Italy. Her incredible power and transcendental soundscapes epically traverse a rich territory between heavy, ritualistic psychedelia, shamanistic minimalist folk, and seamlessly employ a labyrinth of guitar, looping, percussion and stunning vocals in real time without the use of computers or pre-recorded material. The combination of Lili's droning, heavily riffing electric guitar, rhythmic percussion and synthesizers along side her incredible voice which is an instrument itself, illustrate Lili as a virtuoso in the true sense of the word, a rare and genre bending talent. Her live performance is mesmerizing, a deeply emotive, unforgettably visceral and cathartic experience.
Tid: 19.00
Plats: Fängelset,
Kålltorpsgatan 2, 416 52 Göteborg
Ålder: 13+
Biljetter säljes via tickster
https://www.tickster.com/sv/events/search?q=revivalbooking
vid vidare frågor: contact@revivalbooking.com
Join us and let your souls be lost in the labyrinth of KALANDRA (NO) & LILI REFRAIN (IT) at Fängelset on Tuesday, 15/10, Kollektivet Livet on Wednesday 16/10.
Kalandra (NO)
Norwegian cinematic folk / pop band, Kalandra are firmly rooted in melancholic Nordic folk pop, interwoven with ethereal melodies and gritty guitars. Well on their way to becoming one of the most prolific bands in Northern European folk-pop landscape, Kalandra's deeply engaging music impresses with innate skill from this talented four-piece alongside profoundly poetic lyrics, a genre-bending diversity, and a unique, mystical sound that pleases alternative pop and folk fans as well as metal-heads alike. Kalandra's uniquely beautiful energy combined with intense artistic vision leaves fans breathlessly gripped by their ethereal, melodic atmosphere which is as much a modern masterpiece as something sacred and ancient.
Lili Refrain (IT)
Lili Refrain is a multi-instrumentalist, composer and performer based in Rome, Italy. Her incredible power and transcendental soundscapes epically traverse a rich territory between heavy, ritualistic psychedelia, shamanistic minimalist folk, and seamlessly employ a labyrinth of guitar, looping, percussion and stunning vocals in real time without the use of computers or pre-recorded material. The combination of Lili's droning, heavily riffing electric guitar, rhythmic percussion and synthesizers along side her incredible voice which is an instrument itself, illustrate Lili as a virtuoso in the true sense of the word, a rare and genre bending talent. Her live performance is mesmerizing, a deeply emotive, unforgettably visceral and cathartic experience.
Tid: 19.00
Plats: Fängelset,
Kålltorpsgatan 2, 416 52 Göteborg
Ålder: 13+
Biljetter säljes via tickster
https://www.tickster.com/sv/events/search?q=revivalbooking
vid vidare frågor: contact@revivalbooking.com